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Edith Piaf cantora francesa
Edith Piaf cantora francesa

Edith Piaf - NON, JE NE REGRETTE RIEN - legendado (Pode 2024)

Edith Piaf - NON, JE NE REGRETTE RIEN - legendado (Pode 2024)
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Edith Piaf, apelidada de Edith Giovanna Gassion, (nascida em 19 de dezembro de 1915, Paris, França - faleceu em 10 de outubro de 1963, Plascassier, perto de Grasse [ver nota do pesquisador]), cantora e atriz francesa cuja interpretação da canção, ou balada francesa, a tornou internacionalmente famosa. Entre as músicas de sua marca registrada estavam "Non, je ne regrette rien" ("Não, não me arrependo de nada") e "La Vie en rose" (literalmente "Life in Pink" [ou seja, através de "óculos de cor rosa" do ponto de vista otimista]).

Principais perguntas

Como foi a infância de Edith Piaf?

Edith Piaf, abandonada no nascimento pela mãe cantora de café, foi acolhida pela avó e criada em um bordel. Piaf ficou cega por complicações da meningite, mas recuperou a visão quatro anos depois. Acompanhando o pai enquanto ele se apresentava como acrobata, ela cantou nas ruas de Paris por dinheiro.

Como Edith Piaf se tornou famosa?

Em 1935, Edith Piaf foi descoberta por um proprietário de cabaré que lhe deu seu primeiro emprego em boate. Ele começou a chamá-la de "la môme piaf", gíria parisiense de "pardalzinho", nome que mais tarde adotou profissionalmente. Naquele ano, Piaf fez sua estréia no teatro e logo depois ela estava cantando nos grandes auditórios de Paris.

Por que Edith Piaf é lembrada?

Edith Piaf was a French singer whose expressive interpretations of the chanson, or French ballad, made her internationally famous. Among her trademark songs were “Non, je ne regrette rien” (“No, I Don’t Regret Anything”) and “La Vie en rose” (“Life in Pink”). She moved audiences with her passionate renditions of songs about loss and love.

Piaf’s songs and singing style seemed to reflect the tragedies of her own difficult life. Her mother, a café singer, abandoned her at birth, and she was taken in by her grandmother, who reared the girl in a brothel. Piaf reportedly became blind at age three as a complication of meningitis but recovered her sight four years later. A few years after that she joined her father, a circus acrobat, and accompanied him while he performed. She sang in the streets of Paris, earning a meagre living while often in the company of petty criminals. Piaf gave birth to a daughter in 1932, but the child died two years later from meningitis. In 1935 she was discovered by Louis Leplée, a cabaret owner, who gave her her first nightclub job. It was Leplée who began calling her “la môme piaf,” Parisian slang for “little sparrow,” in apparent reference to her diminutive size—under 5 feet (142 cm) tall and about 90 pounds (40 kg) in weight. She later adopted the name professionally. Her debut was acclaimed by the actor Maurice Chevalier, who was in the audience that night.

In 1935 Piaf made her theatrical debut, and within a few years she was singing in the large music halls of Paris. Initially her material was standard music hall fare, but eventually she had songwriters such as Marguerite Monnot and Michel Emer writing songs specifically for her. In the mid-1940s she became a mentor to the young Yves Montand, and she worked with him in the film Étoile sans lumière (1946; “Star Without Light”). She had an affair with the middleweight boxer Marcel Cerdan, who died in a plane crash on his way to meet her. Her unhappy personal life and unadorned though dramatic style underlined her expressive voice, and she was able to move audiences with her passionate rendition of songs that were often about loss and love. In her later life, Piaf was involved in several serious car accidents, and she suffered from failing health, partly due to alcohol and drug abuse. She died at the age of 47, reportedly from liver cancer. Her death was mourned across France, and thousands lined the route of her funeral procession.

In addition to singing, Piaf recorded her thoughts about her life in two books, Au bal de la chance (1958; “At the Ball of Fortune”; Eng. trans. The Wheel of Fortune) and the posthumously published Ma vie (1964; My Life). She was the subject of several biographies as well as plays and movies.